Fallout Season 2: A Thrilling Continuation of One of the Best Video Game Adaptations Ever Put To Screen

By Elijah Noggle, SCO Cultural Critic

Back in 2024, Amazon Prime Video graced us with what I would consider one of the best video game adaptations of all time- The Fallout TV series. Historically, video game adaptations (film or TV) have a reputation of being hit or miss, but Fallout is one of the ones that really stood out. It didn’t try to reinvent what Fallout was or ignore the source material (looking at you, Halo series).

It had a deep reverence for what came before and its new story fit perfectly into the established lore. And just to clarify before i continue, I haven’t played the Fallout games but I have a friend who has and they’ve filled me in on how the series fits into the established canon.

Now we have the heavily anticipated Season 2. After being teased in Season 1, this follow-up takes us to the area of New Vegas. This season takes a lot of inspiration and pre-established lore from the fan-favorite 2010 video game Fallout: New Vegas.

It’s a little hard to explain what’s going on in this season since there are actually a lot of plot threads. Or to explain without spoiling the first season. But basically in a broad sense, it expands the story of this series and the journeys of most of its characters. We get more exploration of many characters from Season 1 and more locations and lore about the wasteland.

One thing I can definitely say for sure is that this season has more impressive action sequences than the first one did. Feels a bit like the creative team and the studio were more willing to drop the budget for the special effects needed to craft these types of sequences. In particular, the scenes that feature Brotherhood power armor were incredibly fun to watch.

Without giving too much away, I’ll say, one of my favorite main characters this season was probably Cooper Howard aka The Ghoul. Cooper, much like in Season 1, is the lens through which we learn about what was going on over 200 years ago before the bombs dropped.

Those scenes were, again, some of my favorites not only because they give us so much context on how what was going on back then informs what’s going on in the wasteland, but they help us understand the juxtaposition between the dark and morally grey Ghoul as he is now, and the well-intentioned movie star he used to be. The ghoul is a stark representation of how the wasteland changes people. It’s hard to root for him as a person, but damn, he is a really compelling character that I hope Walton Goggins can win some kind of award for.

One of the strongest positives of this season for me was the connection to the game Fallout: New Vegas. (without spoiling anything too major) From what I understand about the pre-existing lore of the fallout universe, and especially what was established in New Vegas, this season of TV remains remarkably true to the details. The way these sets were designed, especially the Vegas strip itself, is so well put together and looks almost identical to the game.

Robert House, a character taken directly from New Vegas, feels completely in line with how he was portrayed in the game. Many of the factions from New Vegas like the New California Republic and Caesar’s Legion are well fleshed out, building naturally on what was established about them in the video game. Overall, another impressive showing by the creative team, further proving their deep appreciation and understanding of this franchise.

My biggest criticism of Season 2 is the pacing and overall structure of some of it. This season is juggling a lot of plot lines. Storylines that are being continued from Season 1, and some new threads. The issue is that it feels like the creative team had a bit of trouble properly balancing screen time for all of these plot lines. This results in a couple of them feeling less fleshed out, or less focused on than others. There’s a particular group established early on in the season that doesn’t even show up again until the final episode, and I found that strange, and slightly frustrating.

It is setting up a Season 3 and I know not everything can be fully resolved, but you may be disappointed at some plot threads being left on a cliffhanger by the end of the season. Despite these issues though, I do think that for the most part overall, the season’s overarching story does come together pretty well, and there are some really good payoffs to things that were set up throughout the season. The writing is still top notch and the season finale is one of my favorite episodes of TV I’ve seen in recent memory.

To conclude this review, I wouldn’t say Season 2 is quite as good as Season 1 in terms of overall quality due to the pacing issues, but it is still a very worthy successor and it comes highly recommended from me. I think I would give this at least a solid 8/10.

Review: Marvel Television’s Wonder Man, a Fascinating Stroll Through Marvel’s Hollywood Boulevard

By Elijah Noggle, SCO Cultural Critic

On January 27, the newest TV series in the long running Marvel Cinematic Universe released all eight of its episodes, and I am really excited to share my thoughts on it. Wonder Man stars Yahya Abdul Mateen II as Simon Williams, a struggling actor in the MCU’s version of Hollywood/Los Angeles, who has powers but must keep them a secret for the sake of his career. He learns that esteemed director Von Kovack is doing a remake of the 1980s cult classic Wonder Man, and sees this as the opportunity of a lifetime. He is accompanied by veteran actor Trevor Slattery, a returning character first introduced all the way back in 2013’s Iron Man 3.

This is easily one of the most unique MCU series to date. It was such a pleasant surprise! My favorite Marvel projects tend to be the ones that feel different compared to everything else. For example, WandaVision was a tribute to television sitcoms, and Werewolf By Night was an homage to 1930s monster movies.

And Wonder Man is another one of those for me. It’s essentially a love letter to Hollywood, taking place in the MCU’s version of the famous capital of American cinema. There are several references to real life actors and real life movies, making this version of Los Angeles feel more like the real life one, only that it just so happens to be in a world where superheroes exist.

One of the strongest aspects of this series is the character writing. Simon Williams is a very compelling character. He’s also flawed in a way that makes him relatable. For example, something you see a lot in the series is that he sometimes has trouble trusting others. It feels like a consistent theme in the series. Also, I found Trevor compelling in this series because he truly does care about the art of acting, but at the same time has to deal with his past playing The Mandarin, a literal terrorist on live television. Furthermore, Yahya Abdul Mateen II and the great Sir Ben Kingsley are at the top of their game in these roles.

The writing in this series overall has a really genuine sincerity and earnestness to it. These characters’ struggles in the world of Hollywood feel very real. It doesn’t rely on the same type of quippy humor that Marvel movies and shows have been known for in the past- it instead chooses to mostly focus on the emotional beats and the characters, which works in its favor. Whenever there was humor, for the most part it felt natural to me.

The most noticeable flaw in this series is the pacing. Multiple times in this season, there were episodes that felt like they didn’t quite advance the plot as much as they could have. This results in some plot points not feeling quite as fleshed out as they could. Without directly spoiling anything, episodes 2, 4, and 5 exemplify this quite a bit. Episodes where it feels like the characters go on a “side quest” of sorts.

I just have to mention though (without spoilers) that even though episode 4 titled “Doorman” does grind the pacing to a halt, this one-off episode focusing on an entirely different character ended up being one of my favorite episodes of the entire series. It really showcased this show’s artistic vision and willingness to take risks.

The show’s visual look and cinematography feel very in line with this show’s identity of being about Hollywood and the experience of a struggling actor. Someone online mentioned that it felt like an A24 production, and I couldn’t agree more. Tonally, I love how different it felt to me compared to many of the marvel projects I’ve watched in the past few years.

Wonder Man was a really enjoyable watch. It’s got a couple of small issues I think could be ironed out if this received a second season. But overall, the amount of heart present in this season of TV really elevated it for me. It was very focused in what it wanted to say about Hollywood, the experience of acting and what goes into making a movie, and even superheroes. I would give this an 8.5 out of 10. I think you can really enjoy this even if you have never seen any MCU film or series, so I heavily recommend it.